But he’s like, “I wanna do “Come Gangsta”. I got something I want to get off my chest.” He was pissed off about the Hopsin thing, just like a lot of us were, and he wanted to get something off his chest. I had Stevie Stone on “Whip It” with Scoob. They’re like, “How do you expect us to rap on “He’s a Mental Giant” when you did every fuckin’ style?” And then, CES Cru with “Come Gangsta”, like, really? Stevie Stone asked for “Come Gangsta”. The fact that the fans are responding to my classic beat idea-passing them onto my artists, I love it. You’re not doing the same thing every time. Yeah, it’s a little bit further out of the zone. You say this with every song.” Because I’m always trying to do something greater. If I can get this perfect, it’s gonna be dope.” “You’re gonna get it perfect Tech. It’s gonna fuckin’ work.” I’m like, “I don’t know how it’s gonna come through the mic, but I know how it sounds in this. When I’m writing it and putting it into my recorder, I’m laughing, like “This is gonna be crazy!” But when I get into the booth, I say, “Ben, I don’t know if this is going to work.” He’s like, “You say that all the time.
I’m listening to “MMM” like “Shit!” When I say,, I’m like “What the fuck nigga!? That shit’s crazy!” You’re a fan of Tech N9ne, so I think you know what the fans of Tech want. Because that idea just hit me off the top. Now that the fans are figuring it out, like “Oh, they’re gonna have all classic beats, Tech N9ne beats,” that makes me feel good. And then when they hear what I do, just off the top…fuckin’ beautiful man. I think they’re gonna flip when they hear me on “Wavy”. When they find out who gets “Midwest Choppers” they’re going to fuckin’ flip.
I hoped the fans would like it, and they love the idea. It’s beautiful to see that come about when it’s my idea. People are finding out it’s gonna be all classic Tech N9ne beats. Then the Wrekonize one came out and all the comments. When they got the “Come Gangsta” one, all the 300 comments on that one. To see the fans the last couple days, getting pieces of is beautiful. I had a chance to do my cypher over “Anxiety” or “Wavy” and I’m like, I gotta do “Wavy” because it gives me the ability to do everything: I can chop, I can rap, I can slow it down, I can say shit, I can speed it up again, I can do so many patterns on this. It’s hood – it’s our hood, so, it’s our hood on one track. That’s why I said, “This cypher means a lot to me because it’s a long time coming.” Put them both together on the old Kutt Calhoun beat “Whip It”. Scooby and JL – same area, same block big homie, lil’ homie. Then I sent Prozak a challenge that I knew he could do with “Midwest Choppers I” with Rittz and Krizz. I thought ¡MURSDAY! would sound wonderful over “He’s a Mental Giant”. I said, “I had this idea to choose a few of my classic beats and send them to my artists to see what they’d come up with.” Travis was like, “That could be dope.” I thought CES Cru and Stevie Stone would sound perfect over “Come Gangsta”. We were all in a meeting about what we’re going to do for the cyphers. They used James Brown the year I did it, but I’m thinking, “How can we make it more interesting?” and my brain said, “Boom.” We all did the same beat, just like they do for the BET cypher. The last cypher we did, we all did the same beat. What led to the decision to use classic beats for the emcees to spit over on the cypher? Read below and see what Tech had to say in this exclusive interview, in which he also addresses a certain controversy for the first time. II, Tech decided to switch things up a bit, having his artists spit on vintage Tech N9ne beats. Finally, Strange’s deadly roster would be ripping the same track to shreds alongside one another. When the first Strangeulation came out, the biggest buzz surrounding the Tech N9ne Collabos album was the cyphers.
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