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This digital-recording/analog-mixing hybrid approach lets me use all my favorite signal processing and effects when I'm mixing. Now we have 32 analog outputs from the X32 which I mix on a Soundcraft GB8-40 analog mixer. I added an S-32 remote box to give us an additional 16-hardware analog outputs from the X32.
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This also lets me quickly substitute other synths as inputs to the mixer if I need to by going into the patch bay front panel inputs. The 16 XLR inputs are fed from a Behringer Patch Bay which normalizes the synthesizers in to the mixer.
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I gave it an independent router for wireless control and have an iPad Pro to control it while fiddling with synthesizers. The X32R makes a very nice keyboard mixer. I put an S-16 remote preamp box in there to mic up all the guitar speakers. We have a lot of guitar speakers located in an isolation room at the rear of our building. (The X32R has moved to the keyboard room). We have a wonderful drum room and have expanded our drum set to a two-story rack system with an S-16 remote preamp box to plug the drum microphones in.
Now we can really make a lot of noise without disturbing anyone and we have lots of studio space. In 2014 we moved from California to a secluded 5-acre farm in Florida. After five years of using the X32 equipment as our converter system I guess I should sell off the Apogee because I'm never going back to it. The Apogee hardware continues gathering dust in our warehouse. The X32R did cost more than an S-16 but it gave me more control in the drum room and it's a stand-alone digital mixer all by itself. After a lot of reading and a support phone call to Music-Group (Behringer's Parent Company) I decided to buy an X32R instead of the S-16 stage box because it can do the same thing and the mixer can do so much more. I studied the X32 information hard, I was considering buying and S-16 remote input box for our drum room.
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The X32R became available in 2013, this is the full X32 mixer in a 3-rack space package. I can see the levels and tweak the gain controls remotely without having to run back and forth to the mixing console. I can go into the drum room and balance up all the drum microphones by myself using the iPad X32 app. The iPad app for the X32 finally gave me the freedom to engineer from anywhere in the studio. It allows each player to adjust their own mix independently. We used the Powerplay headphone system extensively in live shows and recordings. I acquired the Powerplay-16 headphone mixers and they integrated with the X32 perfectly. The iPad support for the X32 is really a huge game changer but that's for another article. Not only is the X32 supported very well on the Mac there is a full set of iOS applications available for iPad and iPhone. I was wary of Behringer commitment to product support on the Mac but my fears have proven unfounded. In Asia where they're manufactured PC's are almost free. In Europe, PC's are much less expensive compared to Apple Macintosh computers. With few exceptions most previous Behringer products favored Windows or Unix software applications. It seemed very odd that Behringer had finally bent their product to support Audio-Units on the Mac.
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The X32 had Firewire in it and could direct connect to the Mac without any additional driver support. The x32 finally hit the market and I ordered one from my Sweetwater sales engineer in 2012.
Overall I was very impressed with the way the X32 looked but how would it sound?Īpogee was coming out with a new converter system, oh no, another cycle of sell what I've got for half what I paid then buy the new one for twice as much? Not this time. It had motorized faders which was a fantastic feature. I think it was 2011 when I first saw a prototype of the X32 at a Namm show. It's about how we coped with recording before the X-32 hit the market, the X32 Jurassic Years. This is part two of a two part adventure.
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